Variations on a theme of independence

Yesterday, the ever snarkful (& smart, so, what - can I now invent ’smarkful’ in addition to ’snarkful,’ also not an actual word?) Simon Goetz offered the following, um, pearl of wisdom with regard to incipient Fourth of July celebrations:

Guys are prematurely shooting their colorful loads of Freedom all over the sky’s face. It’s scary and gross.

That effectively summarizes my feelings about the gaudiness factor of the present holiday. I hate its noise, its slobbering drunks running around with variously dangerous explosives, its crowded parking lots and jockeying for fireworks-watching spots at various parks (when I cannot find a way to plead out of the activity, and/or I’m guilted into going because the kids love it and they’ll be sad without me there), and, of course, its inevitable July 5th sob stories about unsupervised children who blew off their limbs the night before.

On the other hand, there’s the inherent sweetness of the way my teenager woke me up this morning: “Happy Independence Day, Mom!”

Which got me thinking about some stuff.

As I’ve mentioned recently, we’re moving. Only next door, but it feels much huger than that, because it involves going through the accumulated detritus of a decade, giving stuff away, figuring out what’s important, making proactive decisions about what happens next.

When I moved here, I was getting out of an extremely bad situation. I didn’t have the luxury of making such proactive decisions about the way I did want to live; I was only clear on the matter of how I didn’t want to live - how I couldn’t live, for one more damned moment.

A poem I wrote around then (ca. 1998), addresses some of this quandary. It’s called How the Exile Came to Love the Foreign Land. It concerns, among other things, the complexity of sexual identity, the ways in which our “choices” can be simultaneously products of bona find “agency” and of coercion (even where such coercion is entirely accidental and circumstantial). I had been living for years as a lesbian, and I was making the radical life change of going back to men (or rather, to one man, with whom I’d been lovers during the summer of 1990), and my reasons for doing so ran the gamut from genuine desire (despite my best efforts to compartmentalize and disown my previous heterosexual experience - and specifically, mine with him - I’d never stopped loving him) to dire necessity (I had to get myself, and, more importantly, my child, out of our miserable, dead end situation in Minnesota, and I had nowhere else to go). It wasn’t, shall we say, the smoothest path via which one could hope to enter into what would eventually (in 2001) become our married life.

And because everyone I’ve shared it with (including, most generously, the above-referenced Simon’s conspirator in copywriting and much more, Ainsley Drew) keeps telling me it’s some of my best work, and since my slacker ass still hasn’t made any sincere effort to publish it (or anything else, since 2004 when I stopped sending out work, just when I’d started “publishing well” - which is another topic for another day), I won’t use the whole thing here. But I will use an excerpt, from its closing stanza:


Guarantor of my asylum:
I wish I could be uncomplicated
adopt your customs without question,
happily digest your food.
All I can pledge is my allegiance
rendered honestly
with a broken tongue.

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As I finish this post (begun hours ago, then deferred while we went to a July 4th party, then came home, where on the basis of a developing migraine, I begged out of going back out again to go see fireworks and took a nap instead), my husband is out with our girls and some of our friends, and judging from the sounds outside, the fireworks have finally stopped. They’ll be home soon, and I’ll be happy to see them, glad as I was to be able to pull away from them for part of this evening, to disengage from the annual ritual of explosives which still holds little excitement for me (though in past years, I’d done my best to “just go along” with it, and many other essentially alien customs, instead).

It’s not that I’m ungrateful for what we have here. But in recent months, I have been coming to terms with the fact that I’m not entirely happy with how I’ve been living. So I’ve been taking certain baby steps toward my own assertions of independence, from going back, as I did last November, to being a vegetarian (so, no longer simply “[adopting his]customs without question/ happily [digesting his] food”), to embracing new music (when I married an especially well-connected metalhead, I eventually came around to certain hardcore genres which had been alien to me in the past; this is not to say I’d lost my hunger for other sorts of sounds, most recently as evidenced by my falling wildly and almost inappropriately in love with The National), to traveling on my own to North Carolina every 4-6 weeks to visit my best friend from my early high school years (we write well together, and have a brilliantly good time). Individually, these steps may not seem very substantive, but cumulatively, they represent something of a sea change for me, long overdue.

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And as I wrote the above words, “a sea change for me, long overdue,” two things happened simultaneously: midnight arrived, and my husband came home with our daughters. (Apparently, there was quite a delay with the fireworks, something about a baseball game going into extra innings? Whatever.) Seems fitting.

Now, when I tuck my tired kids into their beds, I’ll be able to say I hope they had a fantastic Independence Day, without any ironic twitching. That, to me, seems worth some very sincere celebration.

My incredibly sophisticated book classification system

So, as I have griped previously (no surprise that it should be in a post concerning a specific book), we are moving. Yes, it is only to the house next door (same landlord, has a bit more space, better insulation, etc.), but damn is it ever stressful right now. Particularly for me as I try to weed through the 1,000+ book collection I have amassed over the last decade at this address. In the last 48 hours, via the “keep your stuff out of landfills at all costs” project, Freecycle, I have given away something in the neighborhood of 300 books. Of my efforts to organize the surviving volumes, earlier this afternoon, I remarked on Twitter:

Screw alphabetical order. Books shall have 2 categories: ‘Yucky’ (sad/scary nonfiction/reference) & ‘Yummy’ (best of fiction/memoir/poetry).

(and then, later:)

(And don’t remind me that there’s plenty of crossover between the categories! Today I have *zero* tolerance for ambiguity, despite the bio1.)

So, as if I don’t have enough diversions that enable my slacking off on the packing, I thought I’d take a moment to distinguish what I mean by the “Yummy” and “Yucky” delineations. Mind you, I only had my crappy camera phone with me when I snapped these shots in what will soon be my new office next door (also: what appears in the two shots still doesn’t include all the books, even after the purges of the last two days). I’ve made some little notes on the Flickr pages (click through to read) for some titles of note.

Books that are yummy (click through for notes on individual titles):

yummy

Books that are yucky (click through for description below picture; photo’s too grainy to really make out any of the titles, which is just as well, but my reasons for classifying them in the “yucky” category are best explained on the Flickr page):

yucky
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1 At the moment, my bio on my Twitter page reads as follows:

Suspiciously tolerant of ambiguity. Owner of “colorful” history. Eviscerates sacred cows. Sometimes devastating, sometimes funny. (NOT for the faint of heart.)

Daughters of our various riots

As anyone following me on Twitter will be all too keenly aware, I’ve been listening to an awful lot of The National lately.

So, I’ll understand if no one believes me, that the title of this post actually didn’t start out as a reference to Daughters Of the SoHo Riots, a track from their 2005 release, Alligator. I will confess though: I just spent the last ten minutes at SongMeanings.net, reading through various folks’ speculations about just what in the hell that song is “really” about. I still don’t know (a video was pretty, although the opposite of illuminating), but it’s still a gorgeous song, and these lines are certainly resonant:

Everything I can remember
I remember wrong
How can anybody know
How they got to be this way…

And while it’s quite possible I’ve had this album in such heavy rotation, that the suggestion to write something involving “daughters” and “riots” was thereby embedded in my consciousness, the fact is I’ve been staring, for sixteen years now, at a very different piece of media involving daughters and one very literal riot. Namely, this one:

Daughter of the LA Riots

From the AP Caption:

Elvira Evers, who was 38 weeks pregnant when shot in the abdomen in the Los Angeles riots, has given birth by Cesarean section to Jessica. The bullet struck the baby in the abdomen.

When the LA riots happened, it was this particular image and news item, out of the enormous number I absorbed, that I found most difficult to shake. Knowing that this particular human being’s entrance into the world had been so literally, viscerally marked was something I couldn’t get over. I clipped the image from the newspaper, slipped it into a Mylar sleeve, and somehow, through a million moves and traumas in which I’ve lost the vast majority of my worldly possessions, I managed to hold onto it.

The original clipping remains on my office wall. Whenever I get stuck with my writing, thinking about my own difficult origins, or those of my own daughter, who came into the world in her own uniquely traumatic fashion in July of 1994, I look at young Jessica Evers. She’d be a teenager now, not much older than my girl, who starts high school next year.

And I wonder where she and her mama are today, and how they are doing.

This is my father

Dad, Poe, & Raven, Ashland Coffee and Tea, April 10, 2005.
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Blurred portrait of my father with Edgar Allen Poe action figure in foreground, April 10, 2005, Ashland Coffee & Tea. Click through to image as hosted on Flickr for further notes.

I have mixed feelings concerning writing about him, as well as not writing about him, beyond fragments sometimes embedded in photographs, infrequently shared.

Whatever. He’s my dad, and he gave me (among other things) a love for writing, without which I’d have been dead a long time ago.

The Eternal Sunshine of the “What the Fuck Are You Talking About?” Mind.

Tonight, I received an extraordinarily strange inquiry, via myspace (of all avenues):

A decidedly strange piece of correspondence

My first reaction was to laugh. Really, I mean, what the hell was this dude talking about? And I posted this to Twitter:

Actual email rec’d: “I’m researching the ‘memory eraser’ drug propranolol & came across your comments.” Uh, WHAT comments? I can’t remember!

And really, I couldn’t. But it rang a sort of distant bell, and tonight after I’d showered and gone to bed (intending to set a record of sleeping for two nights in a row, after last night’s unusual success), it finally hit me, where it was I might have made comments about this medication, and I sat bolt upright and headed for the computer. (And therefore, in all likelihood, cursed my chances of sleeping tonight.)

Back in November of 2006, my friend Chris had posted an article to his blog, “Propranolol, The Memory Pill.” He discussed a segment on Propranolol he’d seen on 60 Minutes:

Propranolol is a beta blocker that is sometimes used in the treatment of hypertension and migraines. The Sixty Minutes segment The Memory Pill looked at its use for treating post-traumatic stress syndrome. Apparently, one of its effects is to lessen the intensity and immediacy of traumatic memories. Various patients… showed astounding improvement after years– even decades– of suffering from severe PTSD…

Chris goes on to speculate about both the promise and the potential pitfalls of such a biochemical solution to what are, ultimately, both sociological and psychological problems. And I, apparently, left some lengthy comments:

This is fascinating and terrifying. Certainly, I’d love to be less impaired than I presently am by posttraumatic stress. In the last two years of being forced to reopen all manner of proverbial “worm cans” by the truckload, my basic functioning as a human being is markedly worse than during the period that preceded this one, during which I was just stuffing it all.

But all of one’s memories, even the horrific ones, are precious, and I’d be a shell of myself without an intact power of recall.

If a magic bullet type of pill were out there that muted the debilitating effects of posttraumatic stress, without actually impairing or altering memory in any way - something that perhaps made memories easier to work with, I’d be the first one to sign up for it, but I can’t imagine there could be such a convenient shortcut through all the horror and rot of it. (”The only way out is through” and all that…)

Chris replied:

I don’t know… judging from the people they interviewed, that’s exactly what this drug does– it doesn’t alter the memory– they can still recall everything– it just makes it less immediate/threatening/overwhelming.

I responded at length concerning my past travails with medications I have taken (while also participating in psychotherapy) for PTSD and anxiety (in addition to bipolar and ADD), expressing definite skepticism, but finally concluding:

…if there is something out there that could help to facilitate me getting through this particular impasse of late, without fucking me up further in the process, I might have to overcome my reluctance and try it.

Okay, a few things:

First, this still seems to me like some wacko science fiction, instantly evoking The Eternal Sunshine of the Spotless Mind, perhaps my second-favorite movie out of the last five years (after Magnolia, which also addressed highly volatile matters of memory). The plot revolves around a fictional process of “targeted memory erasure,” undertaken in response to personal trauma, and its surreal and ultimately devastating (but also illuminating) consequences.

It’s a tempting idea. And certainly, I have no shortage of profoundly traumatic memories that affect my daily ability to function (impairments one might not immediately sense from my writing, but which, alas, you would if you lived with me).

But it also strikes me as inherently and profoundly dangerous. When so much has been taken from me, and my capacity for memory (however traumatic in nature that memory may be) is all the power I have in the world, what consequences could arise from monkeying with the brain chemistry that keeps those memories encoded?

Finally, there is the oddity of this: That some comments I’d made more than a year and a half ago on someone else’s blog could come back to me today, A) via my profile at myspace, of all things (uh, dude, if you’d followed my blog link from there, and thus found my dedicated contact page here, I’m not really sure why you went with the myspace route rather than regular email, but okay!), and B) I could scarcely remember having made the comments in the first place.

Memory’s weird. I could recount in vivid detail, for example, things that happened to me on April 13, 1984, or on September 11, 1993 (among other historically traumatic “September 11s”), but right now? Damned if I could tell you where my driver’s license is, what I did with the tax forms it turns out I’m going to have to refile because of an IRS error, or my keys.

Such is the nature of the beast. And it is a beast. But is it a beast I want to disturb, or attempt to neuter in some way? Would I be better able to use my existing memories for the purposes of writing (which, besides taking care of my family, is really the only purpose I have left that hasn’t been inexorably wrecked), if they weren’t so traumatically charged? Or would the writing itself also be “neutered” if I did that?

It’s a tough and terrifying question. If a means existed whereby I could blunt my traumatic responses without altering the memories that first gave rise to them (and this qualification is critical), it stands to reason that I could be far more productive as a writer than I presently am, rather than less so. I could do more works of sustained narrative prose, rather than poems (which is not to discount the value of poems; it just happens that for me, poems are often “placeholders” for more deeply necessary, deferred works of prose).

Or the very notion of this medical “solution” to the problem of traumatic memory (whether in fiction or in presently accepted and/or developing medical practice) is a dangerous mirage, an attempt at cosmic “cheating” most likely to end in ruin.

For those of you who had been curious about this ex of mine, “Lee.”

With Lee, some lake in Minnesota, August 1994
With Lee, some lake in Minnesota, August 1994. Click through to image on Flickr for explanatory notes.

Longtime readers (in my various blog incarnations) will be familiar with the name of “Lee,” the woman with whom I spent four years in hell Minnesota1. More recent readers can still access some of the backstory here; old entries about this relationship, for better and for worse, did not survive the blog-deletion-and-starting-over I did in April.

No, that wasn’t her birthname; rather, “Lee” was short for the name to which she’d changed hers in court, which was deliberately derivative of the name of Aileen Wuornos. Note: she has had yet another legal name change since. Fortunately, she did not feel it necessary to acquire new legal names for each of her variously vicious, excessively passive, and other personalities. (I am not, incidentally, being metaphorical here in referencing “multiple personalities.” Someday I’ll have to write about that fragment of her known not-very-affectionately as “Mrs. Hessley.”)

Anyhow, this is her, leaning against me as I’m attempting to nurse my infant daughter. We will skip, for now, the exceedingly complicated story of how I acquired said daughter, who did, in fact, save my life. Suffice it to say that being with Lee carried certain risks, such as being dragged through an underground odyssey involving such places as a downtown Minneapolis homeless shelter (the notorious “410″). And that while what happened to me there was against my will, I made a conscious choice, after I learned I was pregnant, to keep my daughter2, and have not regretted it for a moment since.

I’ve blurred Lee’s face out of respect for her privacy (I haven’t spoken to her since 2001, although she continues to send my daughter and me bizarre pieces of correspondence by postal mail; my daughter will be permitted to access these only upon her eighteenth birthday, I long ago decided), as well as because, let’s face it, it was kind of fun to blur her face this way!

Oh, and you may notice there is a bruise on her leg. Click through to the image as hosted on Flickr for the story on that (mouse over the image to access the annotations).

Those with academic library access may also consult the November, 2000 edition of Violence Against Women for my poem, How the Fugitives - Two Women Writers - Tried to Love Each Other and Survive for yet more background.

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1 Actually, our journey started in Seattle (the city I loved, which we had to leave after an ex pimp of hers from Chicago figured out where we were), continued through Fargo, ND (Fuck those Coen Brothers for stealing the title of the movie I otherwise would have written about that experience; this angst is made all the worse because of their film’s ineluctable brilliance), and on through Minneapolis, St. Paul, and outlying areas of the Twin Cities.

2 Anyone who imagines my not having an abortion, after such an event, is inconsistent with my lifelong commitment to women’s reproductive freedom needs to review the dictionary definition of the word “choice.” And any anti-choice asswipes who would exploit my decision, and its ultimately happy outcome, in support of the idea that women should be denied access to abortion services, or have such access granted in only very limited circumstances, can fuck right off.

My only explanation for this photograph is that I was sixteen at the time



Fish Face, ca. 1987, originally uploaded by vmarinelli.

Hey folks. As you can tell, I’ve been a tad ambivalent about the blogging thing lately. (But not, as usual, about the twittering.) And since I have no dignity (and also because my asshole husband already put this photo up on Facebook), I provide it here, as an exhibit to the wonder that is youth.

As my notations to the image as hosted on Flickr (click through if desired) make clear, I really have no idea what prompted this particular makeup and costume situation. I can say that all the adults in the household were high as kites and engaged in a long, mad medley (a “jam session,” if this very phrase will not cause you to faint) comprised of such classics as Bob Dylan’s Tangled Up in Blue, Procol Harum’s Whiter Shade of Pale, and Eric Clapton’s After Midnight. (Which, I am quite certain, it was. By several hours. And yes, probably on a school night.)

I also recall that I had a partner in this crime: my then-foster sister (a friend from school, whose mother was an even flakier hippie than mine, and thus had simply decided to move to the other side of the island without her), who was dressed and dolled up in an equivalently surreal manner, only I have no photographic evidence of this fact; you will just have to take my word for it.

I also know that when she and I came out of the bathroom, with the intention of seeing how much we could freak out the adults present (they tended to be rather unfreakable, so there was something of a high threshold to get over in that endeavor), that the medley had shifted to a rousing rendition of House of the Rising Sun. Which apparently is some ballad concerning a house of ill-repute.

Naturally, my mother would later seize upon the symbolism of this moment, in that I, her daughter (never mind her generally faultless foster-daughter), had, at the very moment she and her pals had been singing about whores, had come out allegedly dressed as a whore. (Though I’m sorry, but when I look at this picture, I think more “surrealist 1980s clown” than “whore”; plus, there is the detail that I was a bored teenager, who was making a fish face.) Then again, this was my whoredom-obsessed mother (for whom the end result of all equations fell along the lines of “daughter, you are a whore!”) whose perceptions and interpretations we are talking about.

Not that I’m bitter, because of course she has provided me with a lifelong stash of rich material to work with. (For example, the work in progress titled Tangled Up in a Whiter Shade of Pale Blue: The Random Years.) I am nothing if not blessed with (!@#$%^&*) material!

“Mistakes Were Made”: On deception, in the absence of malice.

This morning I’m listening for a second time to a podcast I’d downloaded weeks ago, and hadn’t gotten around to playing the first time around until just yesterday. This is the broadcast for the habitually brilliant This American Life’s episode #354, “Mistakes Were Made,” which originally aired on April 18th of this year. You can hear the episode in full by selecting the above link. (Your options are to play it for free through streaming audio at the website, download as an mp3 for $.95, or purchase the episode on CD for, gulp, $13.00.)
This American Life
There’s a prologue, just under eight minutes, that’s interesting enough, but if you’re pressed for time and you want to get to the utterly amazing story at the heart of this broadcast (Act One: You’re as Cold as Ice1), you should feel free to skip ahead; you’ll want to be at about the seven minute, 50 second point. (It’s hard to do this in an exact way with streaming audio, so if you’re doing that, just sit tight.)

This is the story of a man named Bob Nelson, a perhaps unlikely historic figure in the science-fictionesque would-be “field” of cryonics. His story makes for quite the parable on “unintended consequences” and “getting in over one’s head,” and one to which, curiously, I can relate, based on my own past failings (for example, my brief, hilarious-and-yet-truly-awful tenure as the acting President2 of Richmond, Virginia’s chapter of NOW), and the failings I’ve witnessed in others, both strangers and loved ones (although, to be fair, the failings I reference here were, generally speaking, on a far less spectacular and shocking scale than are evident in Nelson’s tale).

But more than exploring the “unintended consequences” and “getting in over one’s head” motifs, Nelson’s story exposes some very fascinating truths about the very nature of truth. In the trainwreck course of Nelson’s involvement in cyronics, this man became a master of the art of rationalization. Soon, his rationalizations had metastasized into a pattern of deceit so profound that, even now, in his attempts to reconcile everything that happened, he seems authentically unclear as to what actually happened. In short, he lied enough that he came to believe his own lies.

This is different, it seems to me, from the variety of deceit that is inherently malicious. In the interviews which comprise this broadcast, Nelson left himself utterly open to having his narrative challenged - and indeed, disproved. Had he been maliciously deceitful, he would have been far more artful in his deceit. He would not have, for example, granted such open interviews. (A wise attorney will not place a defendant she or he knows to be guilty on a witness stand for cross-examination; so too, a liar who means to cause harm with his untruths will be far more dodgy with his or her approaches to narrative.)

I have known a great many otherwise innocent people who have lied themselves into corners from which they could not, subsequently, extricate themselves in any meaningful way. For example: a severely traumatized rape, battering, trafficking, torture, and stalking survivor, who was so afraid of her past abusers that she was willing to file false police reports about continued stalking episodes, on the basis that doing so would give her documentation needed to obtain a current and enforceable protection order, should the need arise. But when I found her an FBI agent who was, without qualification or hesitation, willing to pursue a serious investigation of the criminal organization to which her most dangerous of all her previous abusers had belonged? (Her cooperation with which could have garnered her entrance into the federal Witness Protection program.) She completely shut down, was not at all willing to testify. Needless to say, there were unintended consequences she (and I) faced because of these decisions. (And soon, the window of opportunity, during which the agent in question had promised to be available to her, had shut; he was pulled out of state to investigate the Montana Militia.)

What is more? In the course of trying to advocate for this woman (who was my partner at the time; “Lee,” as discussed tangentially elsewhere), it became clear to me that, even when she changed her story - or her rationalizations for the various versions of her story - she genuinely believed what she was saying, each time she spoke. The traumas she had experienced, both in the past and while I had lived with her, were all too authentic; I became painfully well acquainted with the evidence from same (for example: letters, phone calls, having our apartment broken into, receiving hate literature from the same organization to which one of her abusers had belonged). But she coped with this (continuing) trauma through extremes of dissociation - which is, most plainly, one form of “lying.”

And in my own secondary traumatization3, I coped through my own acts of dissociation, accepting as literal truth whatever my partner said, no matter how frequently her story changed. Further, I did my damnedest to convince others of the veracity of each of Lee’s constantly morphing claims. Sometimes this meant exaggerating a situation, but more frequently, it actually meant minimizing it - because nothing, it turned out, made it more impossible to secure necessary, life-saving services (for example, police protection to go back into our broken-into apartment, so we could get ID and other essentials before leaving the state in the dead of the subsequent night) than conveying, to the fullest extent possible, how much danger she was actually in.

At the time, I had not heard of the phenomenon of folie à deux. One of the most painful aspects of my recovery from that traumatizing experience (in the course of which we led a substantively dangerous existence, the details of which are well beyond what I can address here) has been the effort to comb through everything that happened, and with both the benefits and hindrances of hindsight, separate the real from the unreal; what I’d feared - or hoped - was true versus what actually had been true. (What may be the truest fact of all from that time? That I may never be entirely certain of which things were unambiguously true, and which weren’t.)

Whereas folie à deux may be described as “a rare psychiatric syndrome in which a symptom of psychosis (particularly a paranoid or delusional belief) is transmitted from one individual to another,” and Post Traumatic Stress Disorder (PTSD) describes how a person, traumatized in the past, emotionally re-experiences past trauma, and Secondary Traumatic Stress is a kind of “PTSD by proxy,” typically affecting persons in the helping professions, and Acute Traumatic Stress is construed to be PTSD’s precursor (in which the traumatized person is dealing with the events in the present, rather than exclusively past tense), what I was dealing with was the combined elements of all these disorders. As you might imagine, literal, objective truth in all matters (particularly those which were causing my partner and I such profound, visceral, and immediate distress) wasn’t easy to come by. (Although, paradoxically, my basic functioning required that I accept as “literal, objective truth” any number of things I subsequently understood could not have been true.)

Mistakes Were Made. The Women’s Studies scholar, anti-Klan activist and author Mab Segrest, with whom I corresponded in the mid-nineties, and who subsequently met with my partner and me, may have some understanding, looking back, of the “mistakes” to which I refer. (Even when, years later, I met with her again, and still could not articulate the dissonance between some of what I’d said to her in correspondence, and what I subsequently understood could not have been the complete truth.) As might Vednita Carter, who was my advocate when Lee and I were clients of the now-defunct organization WHISPER (she went on to form Breaking Free). As might Claudine O’Leary, whom I did not know at the time (although I’d read some of her underground zines on feminism, poverty, and related issues, published and distributed pseudonymously), but who has, since the late nineties, worked with many severely traumatized youth, from situations not unlike my partner’s in the immediate period before we met (she was nineteen then; I had just turned twenty-two). As might many of my friends and family members with whom I was sometimes in touch between 1993 and 1997. (I remain estranged from many of these loved ones, as a direct consequence of communications I had with them during periods of particularly acute crisis, which they, understandably, found traumatizing; perhaps we might call that “Tertiary Traumatic Stress”?)

The bottom line here is: traumatized people, who may still be in profoundly dangerous situations, develop creative, often dissociative, and thus often fundamentally dishonest ways of surviving on a day-to-day (sometimes on a minute-to-minute) basis, expressed alternately through extremes of passivity and hostility. However, this particular variety of “dishonesty,” in which so many untenable truths may be embedded, is one fundamentally is lacking in malice.

Hearing the broadcast about Bob Nelson a second time around, I remain appalled by the actions of this man, and their consequences for those who became embroiled in his (unintentionally?) twisted narrative. He has, to use the somewhat tired4 analogy, “Drunk the Kool-Aid.” (And to abuse the dubious analogy further, one could say his organs have accommodated themselves to his Kool-Aid’s poisons, such that he is now pathologically convinced of his own lies, and his consciousness could not survive attempts toward integration - which is to say, a substantive reckoning with real truth.)

It’s horrible, and it’s tragic, and it’s shameful.

But I doubt it’s all that unique. There are, I suspect, many more “Bob Nelsons” among us.

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1 The subsequent and final segment, Act Two: You’re Willing to Sacrifice Our Love, concerning spoofed versions of the William Carlos Williams poem, This is Just to Say, is also brilliant.

2 Emphasis on the “acting.” (As my friend Kimmy Certa can, I am afraid, attest.) (And yes, Kimmy, I really will write the whole story of that debacle… at some point.)

3 While there is a growing field of literature on what is called “Secondary Traumatic Stress” (see, for example, this book), it is geared almost entirely to persons in the helping professions, rather than, for example, family members and partners of the directly traumatized individual. In my own situation, my role bridged that of “partner” and “advocate” for reasons of necessity and, unfortunately, isolation. While we did, in fact, consult a range of social service, medical, and law enforcement entities in several states in an effort to get competent help for my partner, none of them were prepared to address the breadth of her situation. (For example, I consulted extensively at one point with The Center for Victims of Torture in Minneapolis, but they finally determined they could not have her as a client, as - I am not kidding - she had been tortured on American rather than on foreign soil, which was beyond the scope of their mission.) In lieu of any of the competent, comprehensive services my partner so desperately needed, from social service organizations, medical services (due to injuries as well as malnutrition related to her past abuse), and law enforcement, we were on our own. And since she was still in some measure of danger from her past abusers, we were both in a constant state of terror, in ways that challenged our ability to so much as function - and left us with profound emotional scars. (I addressed these in my poem, “How the Fugitives - Two Women Lovers - Tried to Love Each Other and Survive,” published in the November 2000 issue of Violence Against Women.)

4 The reference is also problematic for reasons RadGeek (Charles Johnson) has, quite compellingly, explored.

Substitute radical feminists for hemp activists*…

…in the lyrics to this song, and you have some sense of how my early-to-mid twenties went. (Lyrics are after the jump.) Also, please know that for the benefit of this post, I spent hours searching for some representative photographs of myself in the classic buzzcut of the era, which I would have happily scanned and reproduced here, but they are apparently buried in the detritus of more than fifteen years’ accumulated papers and pictures, scattered hither and yon. When I finally do track them down, I’ll gladly share.

Also, this post should not be construed as a condemnation of any among the varieties of feminism, nor is it a disavowal of my own experiences which are indirectly mirrored in the motif of this song. Rather, it’s just a glimpse back in time, and a gentle pondering of what (at 37) I can now credibly refer to as “my youth.”

(click on triangle to play song - hopefully it will work!)

[special thanks to Nat for the plugin recommendation.]

Did you enjoy that? Go here to buy the all-around brilliant album from the artist’s own site. Alternatively, you can buy just the song from Amazon or iTunes.

__________
(Continued)

Blame it on Bikini Kill

Earlier today I could not get enough of listening to Bikini Kill’s 1994 album, Pussy Whipped. Specifically, I had to hear Rebel Girl over and over (I even stopped to tweet this fact), as well as Alien She, which includes these lyrics:

…She wants me
To put the pretty, pretty lipstick on
She wants me to be like her…
I want to kill her
But I’m afraid it might kill me
Feminist
Dyke whore
Pretty, pretty
Alien
And all I really wanted to know
Who was me and who is she
I guess I’ll never know…

For reasons that will be evident to some of my longtime readers (though I can’t refer you to past explanatory blog posts, which is just as well because all that material has gone back into the proverbial cauldron for its eventual repurposing), these lyrics are searingly relevant to me. Due, I will simply say, to a woman named Lee whom I met late in 1992, shortly after I’d left Olympia for Seattle (with a New York art colony sojourn between), and following which the course of my life was violently and inexorably altered - as indicated, perhaps most clearly, by my official status, with law enforcement in Washington state, as a “missing person” in the summer and autumn of 1993 (although police in two additional states, plus the FBI, also wound up tangentially involved).

And even if those particular lyrics weren’t so immediately relevant to my history, there is also the touchstone fact that I had been in Olympia at the same time Bikini Kill was emerging. The riot grrrl scene was an alternate universe against which my own was being played out; many nights in late 1990 and early 1991 had found me standing guard for my sociopath girlfriend, Amy, who, without the slightest sense of irony, was spraying graffiti around town protesting violence against women1. (Note: she was not only a serial batterer of her lesbian partners - see her hometown’s newspaper for crap she would still be doing more than a decade later - she also claimed to have a juvenile record for attempted murder.)

So, while I stood guard (the alternative to which was: trust me, you wouldn’t want to know), Amy would be spraying Dead Men Don’t Rape across the facade of the furniture store downtown. Then we’d go around a corner and she’d be hoping to attack another surface with her hilariously inappropriate sloganeering (which I came to regard as her preemptive strike against the credibility of the women she’d battered and raped; by attaining, under false pretenses, her “folk hero” status among the radical feminists and lesbians in town), out of nowhere there’d be some fresh new graffiti up, saying only Bikini Kill. And we had no idea what the fuck Bikini Kill meant (only later learned it was a new punk band, which would go on to define the riot grrrl genre), we only knew they were taking up precious wall space and really kind of pissing Amy off.

Despite the radical life-interruption that was Amy, though, it was, most substantively, the prelude to what would follow, in Seattle, with Lee.

Which is why, perhaps, this morning I struggled for what seemed an eternity to wake from a certain, apparently chaotic dream, the meaning of which I could not discern until I had physically written it out, on paper (as is often the case with me; it’s like, with the action of pen on paper, puzzles can be put together in very clear ways, even when, at first, I had not known there was anything besides chaotic and, most likely, meaningless fragments in play).

To read the full-sized journal entry, click here, otherwise you may be able to make out the words as they appear below2.

Journal entry, May 4, 2008

Nope - the past still isn’t dead.

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1 The Olympian ran something or another in some crime or public complaint column about Amy’s exploits (not that anyone outside the lesbian community knew who was behind the graffiti); ironically, she’d had been an employee of the same newspaper when I met her in October of 1990. (Hey Olympian: check your HR records, if you have ‘em that far back. I can also tell you about the security guard she met there, with whom she committed robberies - or at least, so she was given to boasting while drunk.)

2 Re-reading the bit about Pearl Jam’s song, Jeremy, coming on the radio as I was writing it, I think, inevitably, of where I once lived, on Jeremy Street, in a San Diego suburb, when I was thirteen. Then I go read the Wikipedia entry on that song, and I learn that one of the song’s inspirations was a disturbed junior high school student in San Diego. Um, wow.